Sound
& Lighting Information:
(Scroll down for sound, lighting, load in
& additional information)
Click on photos to enlarge
Technical Contact: Please contact house engineer Kevin Fanti
with any technical questions. Click
Here to email Kevin
Technical
Section:
F.O.H.:
Allen
& Heath 40 Channel Board
20
Mic inputs from stage
DBX
2231 EQ
AudioArts
4200b Para EQ
Presonus
ACP88 Comp/Gate
Symetrix
501 Compressors
Behringer MDX2200 Comp.
Behringer
XR 4400 Gates
Lexicon
MFX-1 Multi FX
Roland
SRV-330 Reverb
Roland
SDE-330 Delay
Yamaha
REV 500
CUE
Wedge Monitor
Mains:
Yorkville
Elite 4-way system
18s 12s
6s 1.0s all horn loaded
Tri-amped
all Crown CE series
LO 2 CE-4000
MID 1 CE-2000
HI 1 CE-1000
DBX Driverack
PA
Monitors:
4 mixes
run from FOH
8 Yamaha
SM15IV wedges
Yamaha
drum fill
2 Crown
CE-1000
2 DBX 1231 EQ
Mics:
Shure
3-sm58, 5-sm57, beta 52
Audix 3-om5,
d6, d4, d2, d1
Avlex 1-218b,
4-228a, 2-236a
Crown 2-cm700
EV 2-n/d767
Lights:
8 ch. NSI
7008 board can be run FOH or stage
4-PAR64
16-PAR56
Electric:
Three
20 amp in-stage circuits
40 amp
120/240 feed stage left
4-20 amp
circuits stage left
Load In/Out:
Standard start time is 10 pm. Most sets are 45 minutes with
15 minute breaks. Doors are open at 7pm for load-in. Sound/Line
checks are to be finished by 9pm. Load out is to be completed
1
hour after last set. Prior arrangements are required to accommodate
different schedules.
Band
Equipment/Instruments:
Shakers desire and goal is to provide its customers and musicians
with
professional entertainment. Band equipment and instruments
are expected
to be in good working order and functioning correctly. Sound
check is
not the time & place to be restringing or fixing cable
problems. Musician
are expected to be prepared and punctual.
Stage
Volumes:
Shakers sound engineer shall have discretion and control over
stage levels.
Shakers stage and venue are exceptionally reflective and bright.
Excessive
stage volumes will result in difficulty obtaining an acceptable
mix in the
room and on stage. Customers are ultimately the key to everyones
success.
Their comfort and satisfaction should determine volume levels.
Soundmans
Rant:
A sound reinforcement system is exactly what those words describe;
a
system that reinforces (amplifies) sound. Some changes (equalization)
an
effects (reverb & delay) enhance the original signal.
If your instruments
and equipment sound like crap, amplified crap is ten times
worse. I dont
possess any magic, incantations or voodoo that works miracles
or wonders
on bad instruments or lack of talent. If your singer is off
key, aint much
I can do about it. You cant polish a turd, no matter how much
time, effort
and wax you put on it, it still looks and smells like shit,
well, I hope you
got the message.
